With “Always”, I wanted to create a track that feels like a productive Saturday morning. The kind filled with fulfilling, intentional work and a sense of quiet satisfaction.

The song began with a drum beat from a vintage Casio keyboard, which inspired the core rhythm. That memorable groove naturally led into a looping Wurlitzer melody, creating a tight, laid-back pocket. The entire process felt smooth and rewarding.

I completed the track with layers of ear candy, bass guitar, and subtle sound effects to give it warmth and texture.

The mood is easy-going and slightly nostalgic — a perfect fit for everyday moments with heart. It would pair well with scenes that feel homely, hopeful, or quietly meaningful.

“Bliss” was created on a warm summer afternoon, when the sunlight was soft, and I was drawn to capture that timeless, dreamy feeling. I sat down at the piano and began working on the melody.

What really drew me to “Bliss” was the simplicity of the main melody, which holds subtle complexities that make it perfect for repeated listening. The drums are minimal, just adding enough rhythm to carry the track forward. What I love about the song is how it gently builds throughout the Phrase, always adding just a little more, until it reaches a calming climax of relief.

I envision “Bliss” being used alongside warm, orange tones, perhaps even in a nostalgic flashback, emphasizing the cozy, emotional warmth the scene evokes.

“Celebration” was crafted to feel like the long-awaited party on a Friday night, with a nod to the 70s through its sound design and synths. But most importantly, it’s meant to be a catchy, timeless tune that sticks with you.

The creation process was a bit of a journey — once I locked in the groove bassline, I knew I had to do it justice, so I took my time filling out the rest of the track. The result is a song that’s designed to keep listeners engaged, tapping their feet, and nodding their heads.

“Celebration” would fit perfectly in a party setting, end credits, or any kind of event celebrating a big moment.

“Go” was envisioned as a burst of motivation — a track that gets you up, moving, and into action.

It started as a kind of anthem for my hometown, Vienna. I wanted to capture the joy and energy I feel living here, using bright trumpet lines and building an upbeat, driving rhythm around them. I intentionally left space in the production to let the main lead shine, keeping the focus clear and purposeful.

This track would work well in a montage, fast-cut sequence, or any scene where momentum and motivation are key — pushing characters (or viewers) forward with energy and intention

“Magical” was inspired by a date that left me with butterflies — I wanted to capture that feeling of pure admiration and the quiet magic that follows you home.

The track actually began a few years ago during a livestream session, where the core idea first took shape. Over time, through simplification and refinement, it evolved into what it is now. The strings lift the track into a semi-orchestral space, helping to express the emotional swell of falling in love.

I imagine “Magical” in a romantic scene — one that gradually builds, just like the track itself, leading up to a heartfelt and cinematic finale.

“Path” was created on Christmas morning, as I wanted to capture the calm stillness before the day’s excitement began — a moment to pause and reflect on what lies ahead.

The track began with lush synth pads that fill the space with a soft, calming energy. I then layered in bells and small, delicate textures to add subtle movement and detail. To bring it all together, I recorded acoustic drums, adding warmth and a grounded, organic feel.

With its steady pacing and gentle build, Path works beautifully in calm, introspective scenes — especially those with minimal cuts — offering a quiet momentum that supports without overwhelming.

“Polaroid” was inspired by an 80s movie I once caught on TV. I wasn’t around back then, but I wanted to pay tribute in my own way — by creating a track rooted in disco, with a touch of personal nostalgia.

The drums were the first to come together, locking in an undeniably infectious groove. I followed up with a bassline to complete the rhythm section, and from there, everything else naturally fell into place. It’s one of my favorite tracks to listen to — it paints a vivid picture of its retro inspirations.

“Polaroid” is a perfect fit for flashback scenes or stories set in the 70s. Its standout element is the chord progression, which leans more melancholic than what you’d typically hear in disco — giving it a bittersweet, cinematic edge.

On a rainy day, I set out to create something carefree — a musical remedy to lift the gloom. The result was Rewind, one of my most joyful, blissful, and playful tracks to date.

It all began with the vocal sample — my own voice, processed and played through a keyboard. The drums bring an easy, laid-back groove, while the bass fills out the low end. Lush pads and layers of ear candy round out the frequency spectrum, creating a rich, uplifting texture.

“Rewind” is an anthem for gloomy days — a sonic pick-me-up designed to brighten moods and bring back the feeling of simpler, lighter moments.

“Splash” was created on a hot midsummer day, right after I went swimming with friends. I wanted to capture the carefree, happy mood I was in — so I sat down in front of my laptop and started creating.

The track began with the iconic pluck melody. To give it motion and rhythm, I added drums and shakers, then layered in various pads to add texture, variety, and a sense of spaciousness.

“Splash” is perfect for a summer scene — carefree, warm, and full of light. It brings out the joy and freedom of a sunny day, highlighting moments of bliss and spontaneity.

This track actually started out as a joke — I thought something so joyful and simple might be beneath me. But over time, I grew fond of it and began to truly appreciate its charm. Now, every time I hear it, it brings a smile to my face.

The song began with the main vocal, which I pitched up and sped up for an interesting effect. I kept the arrangement minimal to let the main idea shine, and later layered additional vocals and rhythmic variations to round out the track.

“Sugarrush” would be a great fit for a comedic scene. It’s purposefully over-the-top, and that exaggerated energy could create a great contrast or boost the humor in the right context.

I had the main melody for “Tease” in my head for years, but I was never quite satisfied with how the production turned out — until now. This version is my favorite, built around minimal production that finally lets the melody shine.

The lead melody has always felt playful and charming to me. To support it, I added soft atmospheric pads and kept the drums extremely simple, designed to complement — not compete with — the melodic idea.

“Tease” is well-suited for ads or as background music. The subtle variation beneath the main theme keeps it engaging, even when played in the background for extended periods.

This song was born from a small heartbreak and the process of learning to be okay without someone. I wanted to keep the mood upbeat — to lift myself out of the sadness and motivate myself to go outside and move forward.

The vocals were originally recorded at a slower tempo and lower pitch, but after increasing the tempo, they were pitched up, giving the track a more lively and exciting feel. The drumbeat is classic DnB, driving the energy, while the rest of the production remains minimal to leave space for the groove to breathe.

“We’re Good” feels like a closer — a track made for the final moments of a film or series, carrying that emotional yet uplifting sense of resolution.